Connect with us

Hi, what are you looking for?


Sun and Stars: How Japanese Stories Inspired American Hip Hop, and Vice Versa

The merging of two distinct cultural spheres feels like it shouldn’t work, but it does.

Credit: KIDS SEE GHOSTS / YouTube

There is a popular practice among hip-hop emcees and producers of embedding fragments of Japanese culture in their music. Particularly, the medium of anime (animation) and manga (comics); also, the image and ethos of samurai. Sometimes, such an influence guides an entire project — as with Ka’s album, Honor Killed the Samurai — sometimes, it spans an entire career.

That connection also works in reverse. With the invitation of hip hop into anime OSTs, by inspiration or direct involvement of Black emcees, time has proven again and again that this unusual pairing is nonetheless symbiotic. The culmination of hundreds of years of Japanese art and Afro-American music: they meet without struggle, somehow.

Although all signs predict an experimental failure — the cultures are both geographically and historically disparate — writer Simon Jenner delineates that the fusion has sparked its own miniature, internet-based culture. The position of anime in hip hop, among fans and musicians, goes largely undisputed.

Blending urban street attitudes with the historical method of the revered Japanese warriors; the explosion of samurai meeting hip-hop is rapidly becoming its own subgenre of film and anime.

Simon Jenner,

The “Lofi Girl” is famously the mascot of an ongoing livestream (playing ambient hip-hop beats) that accommodates study or work sessions. With almost every new anime there is a fanmade trap remix of the intro song. Dragon Ball Z has been referenced by rappers such as Denzel Curry, Ski Mask The Slump God, Wale and Frank Ocean. Megan Thee Stallion cosplayed as Sailor Moon in a Tokyo performance. In Devilman Crybaby, Japanese youths deliver rap freestyles.

[Left] Megan Thee Stallion cosplaying as anime character Sailor Moon. [Right] A still from the anime series “Sailor Moon”.
Texan rapper Megan Thee Stallion is vocal about her interest in anime and cosplay. Credit: [Left] MusicAndAnimals / YouTube. [Right] Sailor Moon / Toei Animation.

This fruitful relationship between Japanese iconography and Black American music is one that nevertheless appreciates the cultures on their own. In their cooperation, they do not set out to feed off of or fetishise the other; in the best examples, rather, they reaffirm one another’s tenets and qualities.

Pen and Sword in Accord

Samurai were a class of swordsmen and warriors, whose service was generally compensated for by feudal lords. Between their origin in the 12th century and their displacement by a Western-style military force in the 19th century, samurai grew to be associated with more than the katana and wakizashi.

Many Japanese swordsmen aligned with the principles of Zen Buddhism. Furthermore, they were familiar with traditional arts: calligraphy, literature, tea ceremony, illustration, haiku and music. The undefeated Miyamoto Musashi especially engaged in creative outlets to strengthen his spirit and fighting strategy.

The marriage of pen and sword is born again in hip-hop spheres, rappers delving into (without glorifying, one can hope) the bridge between gun violence and creativity. Brooklyn rapper Nas conflates the two in “N.Y. State of Mind” when he raps, “Holdin’ an M16, see, with the pen I’m extreme.”

Three paintings of the samurai Miyamoto Musashi.
[From left to right] Reeds and Wild Geese (right side), Self-portrait, Bird on a Branch. Credit: Miyamoto Musashi

Both samurai and hip-hop artists represent a group of people whose “path of the sword” is frequently mistaken for stupidity, laziness or a desire to harm others. But, as I mentioned above, samurai were usually literate and practised the teachings of Zen. And the term “hip hop” inherently represents, as rapper KRS-One delineated, an “intelligence movement.”

Katana and Beats: Samurai Champloo

Watanabe Shinichiro’s anime series Samurai Champloo is a hip-hop stylised portrayal of Edo period Japan. It was one of the earliest experiments in merging Japanese stories and media with Black American music, following the jazz atmosphere of Shinichiro’s previous series, Cowboy Bebop.

In Champloo, the characters embark on an adventure to find a mysterious swordsman, while delving into self-discovery and the acceptance of others — particularly social minorities.

The soundtrack, composed by Fat Jon and the late Nujabes, is anachronistic yet soothing. The music remarkably accommodates the central tenets of Champloo, of acceptance and inner peace. Nujabes, who composed the intro song alongside Shing02, heavily contributed to the coalescence of Japanese and Afro-American music.

A still from the series intro (OP) of Samurai Champloo
A still from the series intro (OP) of Samurai Champloo. Credit: Crunchyroll Dubs / YouTube

Kanye West and Akira

In Akira, Katsuhiro Otomo’s characters are stranded in the underbelly of Neo-Tokyo: an ultracapitalist, post-war dystopia. In this future (2019), they deal with gangs, police and a human nuke called Akira.

Influential artist Kanye West has frequently cited the 1988 animation as a great source of inspiration. And his love for the movie, from the 2007 “Stronger” music video to his outfit at the 2021 listening party, appears to have stayed consistent in his career. But it goes beyond mere aesthetic. It is one of the few things connecting the disgraced artist to his early creative years.

Kanye tweeted in 2018 that Akira informed “every stage show,” “video” and “product” he “ever worked on” — “not just Stronger,” which is the most obvious example. In the music video, he supplants the role of friend-turned-villain (quite fitting) Shima Tetsuo. One can re-examine the visuals and subtexts of his other music videos, in light of his Akira tweet.

[Left] Kanye West wearing a mask and a red puffer jacket. [Right] A shot of the protagonist from the anime movie “Akira.”
Fans were quick to point out that Kanye West’s outfit at the 2021 listening party resembled protagonist Kaneda Shotaro’s iconic look. Credit: [Left] Kanye West / Apple Music. [Right] Akira / Tokyo Movie Shinsha

“Lost In The World” depicts a dancer falling in front of a backdrop of infinitely repeating skyscrapers. Kanye’s digital alteration in “Black Skinhead” and “Wash Us In The Blood” recollects Shima Tetsuo’s grotesque mutation in the anime. And the set design of “I Wish You Would / Cold” resembles the underground tunnels protagonist Kaneda Shotaro must trek.

Again, the connections between Akira and Kanye West are not superficial. The Chicago rapper’s music aligns with the themes of social oppression, gang violence, police brutality and more, that run deep in Akira.

Sun and Stars

The alignment is also in the music of OutKast, Kendrick Lamar, Mos Def, Lauryn Hill and more.

Both Japan and the U. S. are ultracapitalist, conservative giants with a vibrant community of left-leaning artists. Whether it be Eiichiro Oda’s manga One Piece, which reexamines the connotations imbued in the words “pirate” or “terrorist” from an anti-government stance, or the late Tupac Shakur, who observed the damage and hatred capitalist motives had brought to Black communities.

Unfortunately, poor working conditions for animators and mangaka in Japan seem to undermine the anti-capitalist principles of their stories. And Jay-Z’s status as a rap billionaire exemplifies the dangerous, self-destructive hustle culture of hip hop.

Isn’t it probable that the reason for anime’s effortless coalescence with hip hop is that the respective avenues are more alike than we realise?

Avatar photo
Written By

I am currently an undergrad at UCL, studying English Literature & Language. My favourite genres are hip-hop, garage rock, and soul music.

Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *


You May Also Like

TV & Film

Fans were wary of this Netflix anime adaptation, but thanks to its faith in the source material, it's set a new standard for its...

TV & Film

Who is this show even for?


From red paint to black, from fresh to predictable.


Separated by years of publishing distance and with two vastly different visions, a remarkably similar story is told.


Taylor Swift is now on the syllabus with Ghent University introducing the new Literature (Taylor’s Version) module.

TV & Film

The high school comedy genre has given us some of the most iconic movies of all time, and Bottoms is ready, fists raised, to...


The East/West Hip-Hop rivalry will go down as one of the most controversial, yet influential periods in rap history. Why is it so important?...


The New Comedy film for Theatre Kids


Jon Bellion is a musician from Long Island, New York.

TV & Film

Over 19 years since its creation, Scott Pilgrim is back with a Netflix anime adaptation.

TV & Film

Piers Morgan and Ben Shapiro’s reaction to the Barbie Movie shows exactly why we need more films like the Barbie movie.

TV & Film

A lot of movies have come and gone this blockbuster season. Some of hit but a lot have missed. Why is that? Read to...